COSMOLOGY COURSE
LECTURES TO MEMBERS
- Willi Sucher: from 1
Oct. ‘54 to 1 Apr. ’55
(All
drawings by Willi Sucher)
Rudolf Steiner House,
London, England
RETURN OF KING
ARTHUR ~ 1
October 1954
Introduction
The contents of these lectures were gathered from notes
and/or recordings of lectures that Willi Sucher gave in a series to members of
the Anthroposophical Society from 1 October 1954 to 1 April 1955. They were not
revised or edited by Willi, although he added a few clarifications to the
lectures from 4 February to 18 February 1955. Even though some of the notes
were marked “very incomplete”, they also contain mature insights that students
of anthroposophy-astrosophy will find valuable for themselves or in relation to
the body of astrosophy as a whole, and they were therefore included.
The first group of lectures, called Cosmology
Course, were interrupted during Christmas 1954 by a group of four lectures
called Christmas and the Cosmic Rhythms from 28 December to 6 January
1955. This Christmas group was separated out and put at the end in the
publication Cosmology Course I, however, here they follow in the order
that they were given.
In
the Arthurian Legends it is said that one day, in some great emergency, King
Arthur will return to lead his people. These Legends are not fantastic tales of
far distant times, but spiritual facts inscribed in the myths which concern the
present, the future, and the past.
Let
us first speak of Tintagel, the legendary birthplace of Arthur. This is an
island in the spiritual sense, for its very shape is remarkable, as you will
see from its ground plan. This can be obtained from the official Guide. Myths
describe spiritual facts in a form palatable to a certain age, and we must
penetrate the legendary form of this spiritual truth. The island is roughly the
shape of a pentagon, and as it is a pentagon, it is the foundation of the
pentagram star. This is a cosmic pattern, for the ground plan is pure
cosmology, a picture of the gestures of the planet which is called Venus. We
will refer to this in future as occult Mercury, for this is how it was known in
ancient times. The reasons for which I will not go into now, but just to say
that it has the qualities of Mercury, which are true healing.
Occult
Mercury, as we know, moves through the ecliptic, and we will look at it from
the viewpoint of the Ptolemaic world conception. According to this view, it
moves around our Earth in certain rhythms. Let us say as an example, when in
the summer solstice it stands in the constellation of Cancer, and it is far
behind the Sun, that this is a superior conjunction, and its light is
overpowered by the light of the Sun, which stands between it and the Earth.
Then it moves around the Earth, makes a loop in Scales, and comes between Earth
and Sun. This is an inferior conjunction. Thus it moves on, alternately looping
in front of the Sun and passing behind it, until it returns to its starting
point after eight years. In that period of eight years it inscribes by its
gestures a beautiful five-pointed pentagram star into the heavens; and the
Earth “swims”, or is embedded in it. Such movement, from superior conjunction
to loop takes nine months, and this gesture happens five times in different
places of the Zodiac (see second drawing in March 11th lecture).
All
this was known in ancient times. It is even in the Mexican stone calendars.
There is indeed a kind of double pentagram made, one by the loops and one by
the superior conjunctions. This is the same as the ground plan of Tintagel
Castle, this island in the shape of a pentagram, which demonstrates it
geographically. Does this seem far-fetched? We have many ancient monuments in
Britain that deliberately reflect such cosmic facts. Stonehenge was used in
ancient times as a celestial calendar, whilst the Isle of Avalon at Glastonbury
reveals the features of the Zodiac according to a recent aerial survey. These
are imprinted into the land by hedges, ancient roads, rivers, brooks, etc.
Occult
Mercury is the cosmic being behind King Arthur. In the Celtic universe there
was a great deity called Gwydion, who also represents occult Mercury. His
castle was called Cærleon, which means the Milky Way. This Milky Way is the sky
as it moves between the twin stars Castor and Pollux. Gwydion had twin sons,
one dark and one bright, a shining youth. This great divine personality is the
equivalent of occult Mercury, for he fights the darkness and brings harmony
into the world. His opponents are the dwellers in the deepest darkness, a
region called Annwn in Celtic mythology. These opponents are called Pwyll and
Pryderi, who build a bone fortress in this dark place. This could be understood
as the skeleton, and Annwn represents the Abyss, or Hell. This is a kind of
funnel, which is open at the top and goes down into a dark, narrow base. It is
called a Cauldron, and its vast shape resembles our smaller Earth’s shape.
Gwydion
fights the darkness but is imprisoned in his bone fortress, the mineral
crystallized skeleton, and in the great Celtic battle of the “trees”, he
overcomes these forces of darkness; for occult Mercury is the healing,
harmonizing force that brings light into darkness. Even some modern astrologers
know of this great secret and call the star Venus “the harmonizer”, thus giving
Venus the Mercurial qualities of the true occult Mercury. Arthur is Gwydion’s
successor. Human beings came to recognize divinity as expressed in human
nature, after having lost the experience of direct spirituality. Arthur is not
a name so much as a title; it is a degree of Initiation. Arthur represented
these occult Mercury forces and was born on the Island of Tintagel, which
manifests the pentagram star.
Gwydion
was a fighter for the light, and Arthur’s story is the same, as he, too,
descended from the heavens to the dark depths of Earth, but down a stairway of
stars rather than through a funnel. The great Welsh bard, Taliesen, describes
Gwydion’s descent to Annwn, and how he had to conquer seven castles on the way.
This is illuminating, as the castles represent the seven planetary spheres as
this Messenger of Light and Harmony came down to harmonize the Cauldron of
Wisdom and Illumination.
There
are so many mysteries and secrets contained in this that I cannot touch on them
now; but Tintagel was the birthplace of those healing forces on Earth which drew
down the occult Mercury forces to our Earth. You know that the first part of
our Earth evolution is under the darker Mars influence, but that it now moves
toward the lighter half, which is occult Mercury. Both King Arthur and the
Celtic pre-Christian stream prepared for this (see Rudolf Steiner’s Cosmic
Christianity and the Impulse of Michael). The Palestine events were then
experienced in the form of higher visions. This throws new light on the story
of the Round Table, and I want to make this the foundation of our work in the
coming classes, i.e., this picture of the human Zodiac, which is a most
democratic monarchy.
King
Arthur sits in the most important seat, but he is not the head of the table,
only one among thirteen. All are equal and all serve. They bring the food
served at this table to humanity, and this is the motif of the healing forces
of occult Mercury. This whole island represents the Round Table. In a place
near Tintagel there is the legend that on the ancient Mount at midsummer the
Table rises, but only certain people can see it.
Now
we must take a detour. I have told you that I think the plateau of Tintagel is
shaped like a bear. This is not far-fetched, because it resembles the
constellation of the Bear in the sky, the Great Bear, Ursa Major, which also
concerns King Arthur. There is a legend, told by Fiona McCleod, called “Beyond
the Blue,” about the seven stars that make up this constellation, and this
deals with King Arthur’s descent from the heavens. His soul meets his father
there, Pendragon (the dragon’s head), who directed him toward the constellation
of the Great Bear. This is also known as the Plough, or by country people as
Arthur’s Wæn (Wagon).
It
is made up of seven stars, and these represent the seven Kings who sit at the
table, of whom Arthur is one. They decide that the time has come when “the
great shall become small”, and the macrocosm descends to the microcosm. This
represents incarnation. And so Arthur descends to Tintagel, and the Great Bear
in the heavens is the same shape as this plateau on which Arthur is born. The
name Arthur is supposed to be derived from the Welsh Uthyr, meaning Bear — the
Great Bear. The Bear moves continuously around the pole star “which never
sets”, but this pole star was in a different place three to four thousand years
ago, when it was in the tail of the Dragon. The Great Bear was then closer to
the pole star and circled around it in a very narrow orbit. The ancients would
watch this with great patience and devotion, which is foreign to us, and see in
it a resemblance to descending spiral stairs, down which Arthur came to Earth.
Tintagel
is an excellent place for the observation of the stars, both at sunrise and
sunset, and wonderful for observing the calendar of the year. It was Arthur’s
earthly task to see that the economic life of the community was sustained by
observation of the seasons and the star movements as they related to
agriculture, so that they kept in harmony with cosmic cycles.
Tintagel
probably stood as a point, along the bridge from the disappearing Atlantis to
the European world, and it is certainly of very ancient origin. It was
excellently suited for directing the affairs of humanity by the cosmic rhythms.
Tintagel and Arthur are concerned, in this respect, with very practical affairs
and are without mysticism. One only needs an understanding of the working of
the Sun and Moon and planets to realize it. It is essential that one
understands the present events according to the stars, as a continuation, in a
modern anthroposophical sense, of these ancient British traditions. There is a
world of deep secrets in Celtic mythology and cosmology.
This
gives us a great responsibility not to take it purely as an interest, but as
something very important and practical. It is our practical spiritual aim, in
no wise to be taken sensationally, that we on Earth should find fulfillment of
that which still speaks to us from the cosmos, and that those questions which
are now directed toward us, we must recreate as a spiritual Tintagel and,
thereby, live up to the real expectation of Rudolf Steiner.
© 2012 Astrosophy Research Center ‒ ISBN 1-888686-11-1
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